Tuesday, October 7, 2014

OPERATION TREE ROPER: AN EYE ABOVE By Robert Polk RELEASE BLITZ!


 Operation Tree Roper: An Eye Above by Robert Polk
Adventures, Anaiah Press




Blurb:
Twelve-year-old Declan Parker was only born with one eye, but all he seems to have trouble seeing in proper perspective is himself. All he wants is for kids to see him as normal before he starts a new school in the fall. To that end, he sets out to make money helping with his dad’s tree care business.

Unfortunately, when his dad lands in the hospital after a climbing accident, Declan’s surgery hopes are wrecked. His only hope remains in a neighbor girl and her uncle, a wounded army veteran. Can they help him save his dad’s business, or will Declan’s once-courageous drive turn into total despair?

Operation Tree Roper: An Eye Above is a well-crafted story about a strong, dauntless young man who redefines the value of self-reflection. Declan is a character you won’t be able to forget.

Welcome to your new favorite book...

Release Date:
October 7, 2014

Buy Links:

Book Links:
Anaiah Press: http://www.anaiahpress.com/


Book Trailer:




Author Bio:
Robert Polk lives in western Nebraska where he shares his love of books and the great outdoors with his wife and seven children. He is a former school counselor, business owner, and tree climbing arborist. Robert participates in his church and local community, currently serving on several non-profit boards.
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Friday, October 3, 2014

Why I Write Middle Grade – by Jason A. Rust (aka Puddin)

Let’s get something very, very clear: I never intended to write Middle Grade. In fact, when the day came near the end of my 36th consecutive year of breathing to finally quit pretending I was going to start writing books—you know, someday—and instead actually begin writing something that very day, a Middle Grade novel was the very last thing on my mind.

See, I was going to be a King (of the Stephen variety). Or a Robert Jordan. I’d have even been happy to come in as a Weis and Hickman, especially since I figured I already had enough errant thoughts for two people, easy.

The point, though, is that I was going to write fantasy stuffs, and they would be for adults, leaning towards something accessible that even my wife or mother-in-law might enjoy, since they both tend to prefer books grounded in the Real World*. My novels would be about relatively average people (over 25, naturally!) dealing with remarkable, mature problems that anyone could see themselves wrangling over. Sometimes the stories might start with the modern day and spiral into a dark fantasy place with an edge of horror, and other times it would start with the edge of a double-bladed ax. But whatever the concept, the books were always going to be for grown-ups.

You know, because being able to write characters that swear like sailors six miles offshore was important to me. For reasons.

But then, a funny thing happened on the way to International Bestseller-dom. Back in the waning months of 2011, when I was knee-deep in creeping subplots for my first novel, my oldest son, at the time a mere child of 9 years and into reading books of his own choosing for the first time, asked me one night as I was hunched over my laptop, hammering out adverbs (badly), if he could read my fledgling novel.

Unfortunately for him, as that particular novel contains themes beyond the emotional range of most 9 year olds and is also littered with language I’m sure his mother would still prefer he not use when the grandparents come over to babysit, I had to tell him no. Hoping to lessen the blow somewhat, I told him he could read it when he got older, if he still wanted to. But he’s my son, meaning that demonstrating a modicum of patience was never likely to be his Plan A.

So he pitched Plan B.
“Well, if I can’t read that one until I’m older, maybe when you’re finished writing it, could you write one for us?”

Blink Blink

Wait. He wanted me to write a story that he and his 8- and 7- year-old brother and sister (respectively) could read on their own? Why…that was just crazy enough to work.

Maybe. I still wasn’t convinced, but I told him I’d see if I could come up with a good story.

Time past, as it does, and I finished that first novel, and revised it to within an inch of chucking it into the oven and setting the self-cleaning cycle. But by the time another year rolled past, I finally had a novel to query.
Just in time for NaNoWriMo 2012. If you’re not familiar, NaNoWriMo is an abbreviation for “National Novel Writing Month”, which is this thing where caffeine-fueled fiends attempt to pound out a complete, 50,000-word sloppier-than-a-kid-on-picture-day-after-recess-and-spaghetti-lunch draft of a new novel all in the month of November. Before then, I’d always sworn I’d never attempt NaNo because 50,000 words, while indeed a sizeable chunk of text, does not an adult fantasy novel make.

But then I remembered Oldest Son asking me to write a new story, one for them. And hey, look at that, 50,000 words IS enough for a Middle Grade novel. Kind of the perfect number, really, if you write science fiction or fantasy.

cough likeIdo cough

But then, how do you write a middle grade novel?

I didn’t know. Not the foggiest clue. What I did know, though, is that I’ve often been accused through the most recent two decades of my life of acting somewhat, um, less mature than my age would indicate. And as the father of four kids ranging in age from 4 to 10, I also had a very clear daily view into the “He touched me! She called me Cheesebuckets! Dad! Make Him/Her Give Me The REMOTE!” world of the middle grade set.

So when November 1st arrived, I put my fears aside and started hammering away at the keyboard like a squirrel with a full piece of corn. Fast. Much faster than I’d written the novel before. So fast I didn’t have time to think about whether I was hurling up words that made any kind sense, or sounded right or, heck, might someday be read by anyone other than my kids.

And thus my second novel, my first Middle Grade, was born.

Now, I know what you’re thinking.  “Puddin”, you say (yes, that’s a nickname of mine because, well, I’m perpetually 12 and uh…it’s a long story), “that’s a great fish tale, but it’s a lot more about how you came to write middle grade. Not so much the why.”

Well, that’s the thing. An even funnier thing happened along the way to reaching that particular “The End”. Somewhere in the mad, almost thoughtless dash to come up with 50,000 words in 31 days, I found something else, too. I found a novel that was funny and fun, full of honest mistakes and the adventures that often accompany them in fiction.

I found the kind of book I had loved reading when I was a kid.

Even better, I found a hunk of prose that sounded like me. That felt like me. And characters that lived and breathed and hoped and feared and bickered like uncertain, just-trying-to-learn-about-the-world-around-them middle grade kids do. Much like the nerdy, unsure 12 year-old from 1985 that still lingers deep inside me, hoping for friends to come over for a game of D&D.

It took me some time to realize it, but that month, I found My Voice, and got back in touch with the light of the youth I’ve never really outgrown. And more important than any of that, I found a new way to communicate and empathize with own my kids. A way to see the world through their eyes, even if the world I’m seeing is one of my own creation.

Why do I write middle grade? Partially because it fits me like a spandex Star Trek uniform from The Next Generation (the first few seasons, duh).

But also because I think it helps make me a better parent. Which I’m hoping will cut down on therapy sessions down the road.
Pud’n



*By “Real World”, I mean the one we average folk live in, NOT that farcical TV show with the unlikely arrangement of strangers MTV used to produce in the hopes someone would hook up…and then break up…all on camera.

Monday, September 29, 2014

Fiction Writing: Creation vs Evolution


Fiction Writing: Creation vs Evolution

By Robert Polk

Do you use the word creation to describe your writing? Although creation means “bringing something into existence”, and that’s kind of what writers do, I’m still uncomfortable calling my writings “creations”. I often wonder how many other writers feel they are merely conduits for ideas waiting for proper expression. If you’re like me, your writing ability continues to evolve, as do your stories – and yet there’s still plenty of room in our brains for creative flow and evolution of craft. (There is in mine, anyway.)

Even when I’m working on new projects (whether MG or otherwise) I’m reluctant to claim full credit for “creating” anything completely original.

The word “discovery” fits my idea of writing. Because for me, it’s all about character discovery, or it’s about discovering the plot that works or discovering the circumstances particular to the development of each scene. At any rate, in my writing process, I go searching for the character, or plot or world or circumstance. I seek them out, listening, observing, and trying to really hear or feel them.

Maybe in some sense we did “create” our characters and the circumstances in which our characters find themselves. But even then, I stumble at fully believing that I caused a character’s existence, rather than finding her or him.

The point is, for me, I’m doing what works. And what works for me is listening to people, watching and really hearing the characters and considering if they are right for this book, or chapter, or scene, or whatever.

No, I can’t use the word creation – not when referring to my characters. They are already there, somewhere, waiting for me to discover them and to really hear their messages. But I will help them evolve, as I put them through a series of ‘what if’s. The poor suckers may suffer an embarrassing situation or deal with a tragedy of some kind which may show an interesting side of them.

When my characters display these previously hidden facets of themselves, I can’t help but wonder what else is yet to be learned about (and from) them. I plod on, nudging, tweaking, prodding them to see what they’ll do and say. How can that process not be more discovery than anything else?

Although the argument of Creation vs Evolution can be polarizing, I think there’s a little of both going on – at least in my writing.  

Friday, September 26, 2014

A MG Pitch Wars learning experience - 2 things I've realized AGAIN

If you're reading this, you probably know all about Pitch Wars and what a  fantabulous of an experience it is for the mentees. But let me tell you something. As a mentor, I'm learning more about my writing and MG in general than I ever thought was capable. Who would have thought, that Pitch Wars is helping me, just as much as it is probably helping my experience.

When I chose my mentee, I based it solely on writing I know I would be able to help to the best of my ability. Primarily, it was writing I could connect with, and writing I knew could be developed to a point where agents would want to snatch it up and show it off to the world. A month into edits, and I'm finally ready to send her the editorial letter and my notes that I took as much time as possible with. I wanted to treat her book as if it were my own. In a way, I felt like I adopted it. And for those of you reading this, get ready world, because Andrea Pelleschi is going to take you by storm with her creative MG brilliance! (follow her on twitter btw if you haven't already - @AndreaPelleschi)

Ultimately Pitch Wars got me thinking about my own writing, and how it's been in an never ending state of evolution since I first wrote words on a page. So what exactly did I learn? Well..it's like going back to my roots, and I'm boldly going where no writer has gone before. BACK TO SQUARE ONE.

Strap in - it's going to be a bumpy ride.


First of all, after looking at all the entries into the competition, there is a definite key to originality. I've been in development of two new manuscripts right now, and one I'm absolutely shelving after fully realizing that while I love the story, the originality just isn't there. It's one thing to think of a unique concept, but it's another where you just taking a concept already done over and over and over again and just putting a twist to it.

A twist can only go so far. Of course, we'll all borrow from other works, but we need to make it our priority to separate ourselves from them as far as possible. That was one issue I did see with the entrants. It's one thing to compare yourself to a work, but it's another when I feel like I'm reading something I just read a few months ago with different character names and macguffins.

So take a look at your MS. Is it REALLY that different from the rest out there? If not, get back in there and "make it so" - see what I did there?


YES YOU CAN!

Another thing I learned? Do NOT forget your voice. You can have the greatest concept in the world, and your writing technique can be stellar, but without that voice, a MG novel is just going to fall flat. I turned down a few entrants just because their voice wasn't their yet. Voice is something that takes a LONG time to work on. I'm talking months upon months. And it isn't a very natural thing to develop. It sort of just hits you one day.

Hell, even with the MS I'm working on now, the voice needs a lot of work. I'm trying to develop it from CN which is on submission. I feel like it would be awkward if I use the same voice in one book as I did another. The characters are very different, and the voices NEED to be different as well.

Take your time, let that voice flow from you, and be natural. The only advice I can offer is to just try writing without thinking. You might find your voice coming out. Edit afterwards. Don't worry about what's on the page. Just write the first thing that comes to your mind.

Finding your voice ....it's seriously as hard as this...


These may seem like two very self explanatory things, but I'm telling you it gets lost in the creative process. We get so self absorbed with our own stories that we sometimes forget the important key things in developing a story that would connect with readers. And isn't that what it's all about? Forming that connection? 

I don't know about you, but I'm back to the drawing board. I will put my MS on the back burner for awhile, and create something new yet again. Need to focus on those important bits...are you with me!???!?!?!?! Of course you are...so now let's play with some cats.