Showing posts with label Cover Reveal. Show all posts
Showing posts with label Cover Reveal. Show all posts

Tuesday, September 15, 2020

Rea and the Blood of the Nectar Cover Reveal

We are so excited to share that @mangoandmarigoldpress is launching its eighteenth book and first middle grade novel EVER! Rea and the Blood of the Nectar is written by debut #ownvoices author Payal Doshi. This novel tells the story of Rea Chettri, a 12-year-old girl living a simple, if boring, life on the tea plantations of Darjeeling, India. Without warning, Rea's life gets turned on its head when her twin brother goes missing. Determined to save him, Rea embarks on a secret, thrilling adventure into the enchanted world of Astranthia. There, Rea will make new friends, grapple with dark truths, learn the meaning of family and friendship, and discover her true self. Rea and the Blood of the Nectar is the first book in the series The Chronicles of Astranthia.

With this launch, @mangoandmarigoldpress is also continuing their #1001DiverseBooks program to help not only bridge the diversity gap but also the accessibility gap in children’s literature. With each new book launch, Mango and Marigold Press is committed to also raise the funds to donate 1001 books to literacy and advocacy nonprofits that are working across the country to help those in need.

We need your help to make our vision a reality. Will you be a part of the change to end the diversity gap AND accessibility gap? When you pre-order your copy of Rea and the Blood of the Nectar, you can also sponsor a copy for our nonprofit partner for only $10!

For all pre-orders placed between September 15th through September 22nd, 2020 you will have an exclusive chapter to read as a sneak peek into Rea’s adventure as well as receive limited edition character buttons, a bookmark, sticker, and a signed bookplate from the author!

Expected Ship Date: May 2021

 

Payal Doshi:

Payal Doshi has a Masters in Creative Writing (Fiction) from The New School, New York. Having lived in the UK and US, she noticed a lack of Indian protagonists in global children’s fiction and one day wrote the opening paragraph to what would become her first children’s novel. She was born and raised in Mumbai, India, and currently resides in Minneapolis, Minnesota with her husband and two-year-old daughter. When she isn’t writing or spending time with her family, you can find her nose deep in a book with a cup of coffee or daydreaming of fantasy realms to send her characters off into. She loves the smell of old, yellowed books. Rea and the Blood of the Nectar, the first book in The Chronicles of Astranthia series is her debut middle grade novel.

IG: @payaldoshiauthor

Twitter: @payaldwrites

Bev Johnson:


IG: @beverlylove

Twitter: @beverlylove

 

Monday, March 9, 2020

First Look Interview: Whispering Pines by Heidi Lang and Kati Bartkowski

Today, I'm thrilled to give readers a first look at the new middle grade novel by the writing team of Heidi Lang and Kati Bartkowski, Whispering Pines!!! Welcome Heidi and Kati! We'll show off that beautiful cover soon, but first can you pitch your new book to us Twitter-style, in 280 characters or less?

X-Files meets Stranger Things in this contemporary horror MG about a UFO-obsessed girl determined to find her missing father, and a ghost hunting boy now being hunted by a ghost of his own—that of his older brother—who team up to save their town from supernatural forces.

Yes!!! I love everything from that pitch! Aliens, ghosts, mysterious supernatural forces. Why do I feel like this book was written specifically for me? Next, I challenged Heidi and Kati to finish these sentences about the book:

The one thing Rae Carter wants is to...
KATI: Find her missing father.
HEIDI: Couldn’t have said it better myself. ;) In the meantime, she also wants to learn how to fit into Whispering Pines.

Caden Price knows more than most about the mysterious town of Whispering Pines, including…
HEIDI: …the fact that there is a world hidden beneath their own, and his town serves as the gateway.
KATI: Unfortunately for Caden, he’s not the only one who knows this. Just as he’s not the only one who’s figured out that the Price family holds the key to unlocking that world.

My first thought when I saw the cover was…
HEIDI: Wow! So delightfully creepy!
KATI: Same. I loved it immediately. Diana Novich is such a talented illustrator.

And, without further ado, let's take a look at that gorgeous cover:

So beautiful and mysterious! I love the lighting, and did you catch that ghost hand?

Can readers expect more adventures set in Whispering Pines? 
KATI: We are currently working on an as-yet-unnamed sequel.
HEIDI: Yes, lots more planned for Whispering Pines!

Yay!!! Looking forward to it! WHISPERING PINES releases September 1st, 2020 through Aladdin/Simon & Schuster. To read a longer interview with Heidi and Kati, head over to the full post at https://spookymiddlegrade.com/2020/03/08/whispering-pines/.


ABOUT THE AUTHORS

Heidi Lang and Kati Bartkowski are a writing team of two sisters. Heidi is afraid of all things that go bump in the night, but watches shows like the X-Files and Stranger Things anyhow. Kati enjoys reading about serial killers and the apocalypse, but secretly sleeps with a nightlight. They believe that the best way to conquer fear is to share it with as many people as possible, so between the two of them, they love creating stories full of all the things that scare them most. They are the co-authors of the Mystic Cooking Chronicles trilogy.

Find Heidi on twitter and instagram: @hidlang
Find Kati on twitter and instagram: @ktbartkowski
Or visit their website: www.HeidiandKatiBooks.com

Monday, November 25, 2019

Cover Reveal -- THE ARTIFACT HUNTERS by Janet Fox


KIM: Today, I’m thrilled to welcome Janet Fox to the spooky blog to reveal the cover of her new book, THE ARTIFACT HUNTERS! Welcome!

JANET: Thank you, Kim!


KIM: Before we reveal that gorgeous cover, tell us more about the fantasy world that you started in your award-winning book, THE CHARMED CHILDREN OF ROOKSKILL CASTLE.

JANET: CHARMED CHILDREN is set early in World War 2, during the London blitz of fall 1940. Kat Bateson and her younger brother and sister are sent out of London to a “school” in a Scottish castle, Rookskill. But as it turns out, the school is run by someone who is not what she seems, and the castle is a nightmarish place of strange noises, dark hallways, and ghostly children. German spies, enigma machines, and ancient spooky magic all play a part. Practical Kat must uncover what’s going on – and discover her own power – before it’s too late.

KIM: What should readers of CHARMED CHILDREN expect from your latest book?

JANET: THE ARTIFACT HUNTERS is told from a new character’s point of view, a Czech Jewish boy named Isaac Wolf, who is sent abruptly from Prague to Scotland by his parents. This story again takes place in Rookskill, but it’s now 1942, and things in the castle have changed. Kat is still there with a small handful of the children who are now members of the Special Alternative Intelligence Unit of MI 6, using their developing magical skills to help win the war. But Isaac is being chased for reasons he doesn’t understand, and he must enlist the help of his new friends and call on his internal strength to avoid a dreadful dark magical threat, while acquiring a skill and responsibility that will aid the SAIU.

KIM: Now it’s time for the big reveal…here it goes…drumroll please!

Wait for it.

Okay.

Here.

It.

Comes.




KIM: What was your first response when you saw the cover created by the wonderful Jen Bricking? Can you give us any secrets about the illustration process?

JANET: I had very little to do with the process, but I’m delighted with the cover. It’s very different from the CHARMED CHILDREN cover, which is much more mysterious and sophisticated, but the ARTIFACT HUNTERS cover does create that magical aura, with four of the children and a number of mysterious artifacts, and an image of the antagonist – who is really creepy. I love how appealing it is – the brilliant colors, the spooky aspects, because it raises so many questions that I hope will spur readers to seek answers. I especially love how the kids look so much like I thought. I think it will attract a new group of readers to the series.

KIM: We meet several dastardly villains in THE ARTIFACT HUNTERS. What is your process for creating such deliciously evil souls?

JANET: Oh, thanks for that! I think the most important thing to know about a villain is that he or she truly believes they are the hero of the story. What they do is, by their account, right. It might be “right” because it satisfies a personal need, or it might be “right” because it speaks to a larger need, but the villain never would admit that they are doing what is “wrong”. I think this kind of nuance helps readers assess their own actions and the actions of others, and that adds a layer of complexity. Plus, I really love writing creepy villains who send shivers up the spine.

KIM: What are three fun tidbits from THE ARTIFACT HUNTERS that readers may not be expecting?

JANET: They should look for the dragon, shapeshifting, and I’d love it if readers would discover all the magical artifacts that I reference – and send me their own ideas for magical artifacts. Their ideas might find a place in another book!

KIM: Thanks so much for stopping by Janet!

JANET: Thank you so much, Kim.


Janet Fox is an author, mom, outdoor enthusiast, and former teacher. She's been to the bottom of the ocean in a submersible, and had a brief fling with rock stardom. Her novels are written for children and young adults but have won her fans of all ages. Her most recent novel, THE CHARMED CHILDREN OF ROOKSKILL CASTLE, is a gothic middle grade fairy tale set in Scotland and has received a whole bunch of stars, and the lovely Crystal Kite Award. At the moment she's sporting blue and pink stripes in her hair. She lives in Bozeman, Montana. Find out more at www.janetsfox.com

Friday, May 3, 2019

Cover Reveal - I Am Drums by Mike Grosso, paperback edition

Have you read I AM DRUMS by Mike Grosso yet?

If you have, good for you. If you haven’t, you should. And how lucky you are, since there is a brand new paperback version making its way into the collective circulation of middle grade literature! Today we’re happy for the opportunity to host the cover reveal! Look at this thing of beauty:



Colorful, eye-catching, just enough nods to the story to get the middle grade readers of the world either curious about what that story might be about, or to draw them back in a second or third time if they’re already familiar with an earlier edition. (If you’re interested in seeing more work from the artist, Risa Rodil, visit her web page at risarodil.com )

The story follows Sam, an strong and independent character looking to build an even deeper bond with her love of music, and particularly playing the drums. You would think the author of such a story would need to have a musical background. Mike Grosso is all over that. He answered a few questions about his writing experiences and love of music to help us launch the new cover:



Congratulations on the paperback release! What have been some of the most memorable things you’ve experienced going back to when the book first came out?

The most memorable was definitely the book launch party at Magic Tree Bookstore. It’s a tad bittersweet since Magic Tree is gone now, but they threw the best I AM DRUMS party I could’ve hoped for. They were so excited when I pitched the idea of the Grosso Brothers Rock Band performing songs from the I AM DRUMS soundtrack. People loved it so much more than I expected!

It has also been great getting to know my fellow middle grade authors. We’re a tight knit community and we care deeply about one another. Princeton Book Festival and NerdCampMI have been some of my favorite hangouts these past few years!

Sam’s interest and discovery clearly show your own interest in and deep background knowledge about music. Do you see themes related to music having a part in any future writing ideas you want to explore?

Definitely. I have a proposal almost ready to go for a nonfiction graphic novel about weird instruments. It’s based off a blog series I ran the month following I AM DRUMS’s release -- it featured instruments with particularly inspired designs. One of my favorites is the theremin, an instrument controlled by proximity sensors so you don’t have to touch it to play it. I own a theremin now, and I’ve had a blast bringing it to school visits.

If Sam stayed with drums for another ten years or so after the end of the book, who would be her five favorite players?

She’d definitely discover and feel a kinship with Cindy Blackman Santana. She mixes jazz and rock so well, and those are two huge influences on Sam. She’d also have embraced Carla Azar from Autolux and Janet Weiss from Sleater Kinney, and she’d still harbor a sweet spot for Jon Bonham since his drum solo in Moby Dick was what launched her passion. Buddy Rich would be on her list, too, but I suspect it would’ve developed into a love/hate thing after learning what a jerk he could be.

Do you know any good drummer jokes?

I know a few!

Did you hear I’m rewriting I AM DRUMS in the style of Dr. Seuss?
It’s called GREEN EGGS AND FLAM.

How late does the band play?
About a half beat behind the drummer.

How can you tell if a drummer is at your door?
He doesn’t know when to come in.

How many drummers does it take to change a light bulb?
Five -- one to change it, and four more to talk about how much better Neil Peart could’ve done it.

Good luck with the release, Mike!

Tuesday, July 31, 2018

Cover Reveal + Giveaway - A TEAR IN THE OCEAN by H.M. Bouwman

Today we have the cover reveal for A TEAR IN THE OCEAN by H.M. Bouwman.

Book Description: 
Putnam, the future king of Raftworld, wants more than anything to prove himself. When the water in the Second World starts to become salty and his father won't do anything about it, Putnam sees his chance. He steals a boat and sneaks off toward the source of the salty water. He doesn't know he has a stowaway onboard, an island girl named Artie.

Artie isn't trying to save the world, she's just trying to save herself. On the run from an abusive stepfather, Artie just wants a place to call home. Putnam isn't the partner she would have chosen, but as the two face uncertainty and danger in their shared adventure, an extraordinary friendship forms.

Meanwhile, more than a hundred years in the past, Rayel is also on the run from Raftworld, escaping an arranged marriage she discovers is really a plot to kill her father. She'd planned to be gone just long enough to foil the plot, but once at sea and sailing ever southward, Rayel discovers she has an astonishing magical power that leads her to a new home and a sadness so deep it infects the world.

Told in alternating perspectives with Putnam and Artie traveling further and further into the uncharted southern sea--and Rayel, the key to the saltwater mystery, sailing the same sea in her own time--Putnam and Artie must put aside their differences and figure out why the sea is salty before it's too late. A companion to the critically acclaimed A Crack in the Sea, H.M. Bouwman's latest is a wondrous and heartrending adventure.

Release Date: 1/22/2019

And now for the AMAZING cover!


AND... we are giving away an ARC of the book. If you'd like to enter to win, please leave a comment below and some form of contact (email, twitter etc.) 

Photo credit Greg Stoeckel
About the Author: H.M. Bouwman is the author of The Remarkable & Very True Story of Lucy & Snowcap (Marshall Cavendish, 2008) and A Crack in the Sea (Putnam, 2017). A professor of English at the University of St. Thomas, she lives in St. Paul, Minnesota, with her two sons.




About the Illustrator: Yuko’s Bio: Yuko Shimizu is a Japanese illustrator based in New York City and an instructor at the School of Visual Arts. In 2009, Newsweek Japan chose Yuko as one of the “100 Japanese People the World Respects.” Yuko is the illustrator of the picture book Barbed Wire Baseball, and her work can also be seen on Gap T-shirts, Pepsi cans, Visa billboards, and Microsoft and Target ads, as well as on numerous book covers and in the pages of The New York Times, Time, Rolling Stone, The New Yorker and many others. She also illustrated A Tear in the Ocean's companion novel, A Crack in the Sea
Social Media:   



Check out an excerpt from A TEAR IN THE OCEAN



Part One
Explorer, Hero, Runaway


1
Putnam. The Present: 1949.
Putnam watched a tattered girl about his own age at the edge of the bonfire. For the past hour, she’d hovered in the shadows just outside the glow of the flames. Her face would pop into the light briefly, then snuff itself out again, only to reappear several moments later, then disappear, like a candle being lit and immediately blown out.

She’d been circling the fire, when Putnam, looking for the best spot to listen and watch, noticed her. But she stopped moving about the same time he did, not quite across the fire from him. As he listened to Jupiter, the storyteller, entertain the people with a funny tale about the time long ago when they tried to grow mangoes on Raftworld (sadly, there was not enough dirt for the trees to root in), Putnam’s eyes flicked periodically to the spot where the girl’s face would suddenly jut out of the darkness and then fall back into it. She didn’t seem to realize she could be seen, and no one but Putnam noticed her.

Part of the reason she stood out to Putnam so much was her obvious desire not to be seen. Putnam understood that desire; he was trying to stay out of the light, too. Everyone expected so much of him—the Raft King’s son! the next king of Raftworld!—and sometimes he just needed to get away. Maybe this girl had some of the same feelings. Maybe her so-called friends were always following her around, too, hoping for favors and being nice to her because of who her dad was.

Or maybe not. Putnam squinted at the girl through the smoke. Clearly an Islander, she had the lighter brown skin and straight hair and stocky body that was the classic Tathenlander look. But unlike the other Islanders, she wasn’t spiffed up, wearing her best clothes for the party; she acted as if she wasn’t even supposed to be at the party.

She made Putnam think of the story the Island’s former storyteller (now dead) had told the last time Raftworld had visited the Islands, when he’d been only two—ten years ago. He didn’t remember the actual words the Island storyteller had used, of course, but Jupiter had retold the tale since then: a poor orphan girl who’d been forced to work for her rich stepmother who hated her, and who, when the prince threw a party, snuck in and eventually captured the prince’s heart. Except—he reminded himself—that girl had been given a ball gown and fragile gypsum slippers when she snuck into the ball, and this girl was here simply as herself. She wasn’t likely to win a prince’s heart the way she looked and acted.

He smiled to himself at the next thought: technically, he supposed, he was the prince in the story. Though no one called him by that title, he was in fact the Raft King’s only child. So if he were to follow the story’s plot, he should chase this girl down and grab one of her shoes . . . if she had shoes . . .

The girl materialized one more time, the firelight playing on a set of bruises on one side of her face. Jupiter had moved on to a more serious story: how the Raftworlders’ ancestor Venus escaped from being enslaved. And this time, as Jupiter explained the moment of decision, the choice Venus made, the tattered girl emerged and didn’t puff right back into darkness. This time her face stayed in the light, entranced as she was by the story. And there was something in the fire’s glow that made her look—not pretty, no, nor healthy nor well cared for—but full of determination and spirit and energy. Just for that moment.

Jupiter’s story ended, and she vanished. Vivid in the fire’s flickering light one moment, gone the next.

A big hand descended on Putnam’s shoulder, and for one brief second he thought it was the girl, coming after him instead of waiting for him to chase her down and steal her shoe. But as soon as that thought flitted into his head, he knew it was wrong. First of all, the hand was too big and heavy.

“It’s time.” His father, of course—tall, thin, and a little stooped, in the dark red cloak he wore for official events, his graying beard closely trimmed.

Putnam nodded. He already stood in the back of the crowd; he didn’t even have to jostle anyone to leave. For a moment he wondered what it would be like to just vanish, like that girl.

“Are you coming?” asked his father. “Your first Session. Let’s be on time.”

Putnam nodded again and hurried after the old man.

***

The trading session—usually just called “the Session”—was the biggest meeting in the entire world, which wasn’t saying much, as the world was small, at least where people were concerned. The Session, which lasted for several days with long breaks for the Session delegates to attend parties and socialize, happened every decade or so, whenever the floating nation of Raftworld arrived in the course of its usual travels to the islands of Tathenland and the big island of Tathenn. Then the Raftworlders and Islanders got together for a week or more of parties and storytelling and singing . . . and trading. The Raft King and the Island’s governor—and other important people—attended meetings, exchanged important information, made deals. This year, the Raft King had said that now that he was twelve, Putnam was old enough to go to the meetings. As if that was a privilege. It was, but all the other delegates were grownups. And the entire meeting was talking.

Putnam sat in the back corner of the room next to a convenient tray of biscuits, rather than at the delegates’ table, which was only big enough for the eight women and men—four from each country—who ran the Session. He was supposed to be listening and learning. He nibbled and made crumbs and tried—he really did—to pay attention.

But the day had been long, and his mind wandered, and after an hour or more of discussions of flour and wool and embroidered cloth and hydraulic engines and so many other things, his eyes drooped. Just before he slid into deep sleep, he remembered himself and snapped back, shifting suddenly in his chair and crumbling the cookie still clutched in his hand.

Eight heads turned toward him, conversation stalling for a moment. “Sorry,” he muttered, feeling foolish, as they turned back to discussion. He knew he should be listening hard at his first Session, maybe even saying something important—but barring that, at least he should look like he was listening. He pinched his leg, hard, and sat up straighter, shoving the broken cookie into his mouth and chewing vigorously.

And the pinching and chewing helped. He felt less tired, at least for the moment.

Until he realized what the Session leaders were talking about now: the ocean. A cloud of gloom settled over the room. There had already been so much talk about the problem with the water, so much discussion about what to do.

“There’s no doubt at all in our minds,” one of the Islanders said stubbornly to Putnam’s father. “You don’t see it as much because you’re always moving around.”

“You make it sound like moving around is a bad thing. What are you trying to say about us?” asked a Raftworlder, one of his father’s advisors.

“Now, that isn’t what’s meant at all,” said the governor in a soothing voice. She was much younger than Putnam’s father, who’d been old already when Putnam was born. This governor looked barely adult. Tiny compared to Putnam’s father, she sat straight in her seat, as if trying to look taller. Her dark braids wrapped around her head like a crown and shone in the light.

She continued. “We’re only saying that we see the changes more, situated as we are in one location. In the past few years, the fish have been leaving us, heading north. The algae is dying. We know that our capital is better off than other places on Tathenn—it’s much worse on the southern shores. We don’t have anyone with the gift of talking to fish, like you”—she nodded toward the king—“but we can read the water pretty well even so. The changes aren’t good.”

“The water’s going bad. You can taste that yourself,” added one of the governor’s advisors, folding his arms over his chest and nodding at the pitcher on the table.

Several Raftworlders leaned forward to add their thoughts. One said, “It does seem worse the farther south we get. When we were north earlier this year, remember how fresh—”

Putnam’s father held up his long, thin hand, and everyone stopped for the Raft King to speak. “The water here has changed, it’s true. I can tell from our last visit that it’s different. Kind of salty, yes?” 

The governor’s advisor nodded, as did the other Islanders in the room. “But what you have to ask yourself is this: is it maybe because of something you’ve done here on the Islands?”

“And it’s affected the entire ocean?” asked the governor dryly. “Your advisor just said the water is different the world over.”

The king shrugged, his face impassive. “He said it seemed that way. And other times it seems fine. We need to study it more to be sure. That’s my suggestion: that we form committees. Maybe you Islanders can take samples and track any changes over time—compare data for a few years and see if it’s really getting salty and, if so, how bad it really is. And when Raftworld travels, we’ll take samples at key locations as well, so that the next time we stop at those places, we can also compare.”

“The next time? You mean ten years from now, when you circle back?”

“It’s not always ten years. There are some places we visit every five or six years. It really depends.”

“But the water’s gone from good to bad in just a few years. And you’re arguing for years more of testing,” said one of the Islanders, a gray-haired woman who looked about as old as the king. “Before we even do anything.”

The Raft King paused as if thinking about his answer, and then nodded. “It doesn’t help to rush.”

Putnam, sitting off to the side with the biscuits, could see the looks on the Islanders’ faces and in their stiff shoulders and bodies: frustration and worry. He could see, more faintly, similar looks in the Raftworlders’ faces—everyone’s but his father’s. This idea of moving slowly was . . . too slow. Obviously something needed to be done, and everyone but the Raft King was ready to do it.

“If we don’t take action . . .” said the young governor of the Islands. She didn’t finish the sentence. She didn’t have to. They all depended on the ocean—Raftworld and Tathenland—for food, for water. For everything.

One of the Raft King’s advisors broke the silence. “Well, this is a topic we should return to. Tomorrow morning?” She stood, stretching her lower back and smiling a little too big. “There is, after all, a party tonight to attend.”

Others stood, too, but not the young governor, who spread her hands on the table, palms down, almost as if the table were trying to fly off. She didn’t smile, either. “We’re not done here.”

“We’ll talk about it again.” One of the governor’s own advisors, an elderly man who wore the old-fashioned Island clothing even down to the luck pouch around his neck, patted her shoulder. “Tomorrow, when we’re fresh.”

Everyone filed out of the room except the governor and her elderly advisor, his hand still on her shoulder. Putnam, following the others out, turned in time to see the governor look up at the old man, her face strained.

“We’ll talk tomorrow,” she said.

“And then do something,” her advisor said.

“Sure,” she said, unconvinced. “If we stall long enough, pretending nothing is horribly wrong and forming committees”—she said the word as if it tasted bitter—“it will be just as bad as if we ignore it altogether. The sea is dying. And then we die too.”

The old Island man’s hand flexed in a tight grip, then loosened. He smoothed her hair down, as if he were her father and she a young child. It occurred to Putnam that maybe he was her father. “I know,” he said in a low voice. “If Raftworld ignores the problem, we’ll have to figure it out on our own.”

“The problem is coming from the south. We need explorers, scientists, people—to sail south, find out what’s causing this. Fix it.”

The old man nodded.

“But without ocean boats or seafaring folks—”

“I know.”

“We needed Raftworld. They were our best hope, and they’re saying no.”

“It does sound that way. But maybe tomorrow . . .”

At the same moment they seemed to realize Putnam was still there, and as they turned to him, he muttered, “Excuse me,” and stumbled out of the room.

Was this what a Session was? A place to avoid the real problems of the world? And was this who his father was? Someone too slow-moving or too scared to jump in and fix things?
***





Wednesday, June 20, 2018

Cover Reveal - RIDERS OF THE REALM: THROUGH THE UNTAMED SKY By Jennifer Lynn Alvarez

Today we have an amazing cover reveal for the second book in Jennifer Lynn Alvarez's RIDERS OF THE REALM series titled THROUGH THE UNTAMED SKY.

About the book
Cover artist: Vivienne To
Release Date: March 26, 2019
Publisher: HarperCollins Children’s Books
Prize for giveaway:  autographed hardcover of book #1 ACROSS THE DARK WATER (to enter please leave a comment to this post answering one of Jennifer's questions after her top ten list, and leave an email or other form of contact)

Cover copy for book #2 “Through the Untamed Sky”
“After winning the wild pegasus mare named Echofrost in a contest, Rahkki Stormrunner becomes an official Rider in the Sky Guard army. But Rahkki is terrified of heights, and Echofrost is still difficult to tame. And with Echofrost’s herd captured by the giants and the growing threat of battle looming over the Realm, the new pair will have to work through their fears in order to fly with the army and free the herd.

Meanwhile, back in Rahkki’s village, rebellion is brewing, and Rahkki learns there is a sinister plot to overthrow Queen Lilliam. But the queen suspects Rahkki’s behind it, and he is under intense watch.
As Rahkki and Echofrost travel to Mount Crim to free Storm Herd, Rahkki fears that the greatest danger may not come from the impending battle against the giants, but from within his own clan.

Jennifer Lynn Alvarez takes readers on another action-packed adventure, where mystery abounds and threats are around every corner—and it will take trust, loyalty, and ultimately the deep friendship between pegasi and humans to survive.”

And now for the awesome cover!

Dear Middle Grade Minded,
Thank you for hosting the cover reveal for “Through the Untamed Sky”, the second book in the RIDERS OF THE REALM trilogy. The artist is Vivienne To and when I saw the cover, I screamed! I love the colors, the dragon, the pegasus, the sweeping sky—it all comes together so well. It’s fun to see my story illustrated in this way. I love writing about horses, especially winged ones! They live in massive territorial herds, they migrate twice a year, and they are fiercely loyal to one another—exciting fodder for writing stories.

In this trilogy, a small herd of pegasi flee their homeland in search of a safer place to live. On the way, they encounter a primitive clan of humans who would like to capture them and train them as flying warhorses. 

The ideas of cooperation versus slavery, love versus dependence, and freedom versus friendship are explored deeply within the trilogy. Pegasi are sentient beings, so “owning” one is more like owning a human than a pet. Most readers, like this author, will root for the pegasi to remain free, but cooperation with the humans will become necessary—and this awkward attempt at a partnership will rock both worlds!

With the long summer stretching ahead, I thought I’d offer a Top Ten list of animal fantasy books for kids to read!
  1. Watership Down, by Richard Adams, this novel about rabbits made me want to write animal fantasy too!
  2. The Warriors series, by Erin Hunter, exciting adventure books about clans of wild cats
  3. The Firebringer trilogy, by Meredith Ann Pierce, a poetic, evocative story about wild unicorns
  4. Black Beauty, by Anna Sewell, a book about a tame horse that changed horse training forever
  5. Fire Bringer, by David Clement-Davies, immersive story about wild deer and a young buck named Rannoch
  6. Redwall, by Brian Jacques, about a brave young mouse on a quest
  7. Mrs. Frisby and the Rats of NIMH, by Robert C. O’Brien, about a mother mouse who seeks the help of super smart rats to save her son
  8. The Incredible Journey, by Sheila Burnford, about a cat and two dogs that trek across rugged terrain to find their owner
  9. The Tale of Despereaux, by Kate DiCamillo, about a courageous mouse in love with a princess
  10. The Guardian Herd, by Jennifer Lynn Alvarez, the origin series about the pegasi of Anok (you don’t need to read this to enjoy Riders of the Realm!
Have you read any of these books? What’s your favorite animal? Let me know in the comments. Thank you for celebrating the cover reveal with me, and happy summer!

Jennifer Lynn Alvarez

About the Author
Jennifer Lynn Alvarez received her degree in English literature from U.C. Berkeley. She writes The Guardian Herd series and the Riders of the Realm trilogy. She’s an active volunteer for United States Pony Club, and she draws on her lifelong love of animals when writing her books. Jennifer lives on a small ranch in Northern California with her husband, kids, horses, and more than her fair share of pets.

Instagram: https://www.instagram.com/ridersoftherealm/