Contest Rules:
- Santa
- Reindeer
- Elves
- Candy Canes
- Sugar Cookies
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Kobe, Japan |
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Kyoto Street Corner |
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Kyoto street on the way to a temple |
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Japanese Rice Patty |
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Nijo-jo Castle - notice the people walking in on the left and exiting on the right. |
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Rokuon-ji - The Golden Temple |
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Translated sign in the restroom. Funny but somewhat lost in translation. |
I’m not going to mince words or tap dance around the pink elephant blowing bubbles in the family room last Thanksgiving*…I’m probably the last person in this particular sliver of the Milky Way you’d want to come to if you got a manuscript or some other work and need a critique. I mean, if your options are me, Simon Cowell, and Donald Trump, I guess I’d do, but totally only in that “lesser of three evils” kind of way.
Technically, I think that’d actually be one of those “lesser of one MG writer and two arch demons” situations, but let’s not split hairs.
The point is, if you want a good critique, I shouldn’t be your first stop. Believe me, I know a good critique partner when I see one. In fact, I have several excellent critique partners imprisoned in my basement, who I’ve apparently befuddled in some kind of inexplicable mystic thrall which keeps them willing to continue reading my scribblings despite that fact that I’m about as helpful a “partner” as a T-Rex is at a team LEGO building competition.
The problem is, when I read a book or watch a movie, I tend to have a singular, binary reaction to it. That is, I either love it or I hate it. And while love and hate are fantastic sources of conflict for a story, they aren’t so helpful when it comes to making something better.
“I LOVE this! It’s like rainbows and pixie dust are dancing in my head! Don’t change a word!”
“I HATE this festering pile of armadillo puke! It makes me want to burn things. ALL the things! You need to change every word!”
See? Not so constructive.
But if you do this writing thing for long at all, you’re soon going to want another person’s opinion of your work. But nobody wants to be the kind of leech who asks someone to critique their own stuff and then seizes up like a startled clam when asked to return the favor. Seriously, that’s how Bond villains get started. One day it’s, “Sorry, no, I don’t feel comfortable critiquing your ode to Jessica Rabbit” and next it’s, “I’m going to unleash my plasma sharks into the world’s oceans, which will destabilize the currency markets allowing me to rule from atop my mountain of actual gold bars!”
Ahem. Sorry.
Anyway, in the interest of making sure I didn’t end up sporting an eye patch and a fancy polyester suit, while spending my weekends shopping for Secret Subterranean Hideouts, I figured I needed to get a handle on how to read someone else’s stuff and give them useful feedback. Here, then, are the things I try to keep in mind after reading something I’ve been asked to critique:
Is this all likely to make you Critique Partner of the Year? No. Actually, I’m pretty sure that’s not a thing that’s real. But a thoughtful approach to a critique, even when you know it’s not you’re a-game, is, at least, likely to help your critique partner developer a better manuscript. And at the end of the day, isn’t making sure we all help each other share our best stories with the world pretty much the whole point of all of this?
Well, that, and making sure you keep from getting the critique cold shoulder yourself.
Did you ever suffer from Critiquing Cold Feet? How did you go about conquering it?
Pud’n