Monday, December 5, 2016

Jorie and the Magic Stones Excerpt and Giveaway

Today we have an excerpt and giveaway for the chapter book Jorie and the Magic Stones. To enter the giveaway for a paperback copy just leave a comment on this post before 11pm CST Monday December 12, 2017. Check out the synopsis and excerpt below.

 
Synopsis:
When Marjorie went to live with her frosty maiden aunt, she couldn’t imagine the adventures she would have with dragons — good and bad — and all the strange creatures that live in a mysterious land beneath the Tarn. The spunky 9-year-old redhead forges an unlikely friendship with an insecure young boy named Rufus who lives with his crusty grandfather next door. When Jorie — for that is what she prefers to be called — finds a dusty ancient book about dragons, she learns four strange words that will send the two of them into a mysterious land beneath the Tarn, riddled with enchantment and danger. Hungry for adventure, the children take the plunge, quite literally, and find themselves in the magic land of Cabrynthius.

Upon meeting the good dragon, the Great Grootmonya, Jorie and Rufus are given a quest to find the three Stones of Maalog — stones of enormous power — and return them to their rightful place in Cabrynthius. Their mission is neither easy nor safe, and is peppered with perils in the form of the evil black half-dragon who rules the shadowy side of the land. They have to deal with a wicked and greedy professor, the tragic daughter of the bad dragon, caves of fire, rocky mountainous climbs, and a deadly poisonous butterfly.

Jorie must rely on her wits and courage to win the day? Can she do this? Can she find all three Stones? Can she save Rufus when disaster befalls him? Can she emerge victorious? She and Rufus have some hair-raising challenges, in which they learn valuable lessons about loyalty, bravery, and friendship.


Excerpt from Jorie and the Magic Stones

Once in the quiet of her room, Jorie closed the door and retrieved the book carefully hidden under the floorboard. She didn’t know why she felt it so important to hide the book, but her instincts told her that this was a very special book that needed to be carefully guarded. Before settling down to study it, she went to open the window in order to hear the sound of the horses when her aunt returned from her errands. In that way, she would have time to put the book back in its hiding place.

Perhaps because of the rain and damp, the window was stuck and refused to open. Although Jorie pushed, it appeared that it was well and truly stuck shut. Jorie returned to her book and opened the pages oh-so-gently. She didn’t understand the words in front of her, even though she was an excellent reader. They were faded and seemed to be written in another language. Jorie spoke quite good French, but this was certainly not French. She thought it might have been Celtic, because there were c’s, and w’s and y’s, and they all seemed to run together.

She found one phrase that caught her attention, and carefully pronounced it under her breath. “Cwythr ogan mosdrath kiranog. I wonder if that is how it is pronounced.” Then in her most dramatic voice she called out, “Cwythr ogan mosdrath kiranog,” and felt a shiver run through her. No sooner had she said this than the window flew open. Jorie’s hand flew to her mouth. She inhaled, staring hard at the window. “That window was stuck and wouldn’t budge an inch, even under my tugging.”

As she regained her composure, Jorie decided she needed to memorize these words. She had always been good at history and could easily remember dates of battles, when kings were crowned, and where, and all the things they make you remember at school. She turned the four words over in her mind, a bit afraid to say them aloud again. What if something else happened? Could it be a spell? Could it be a curse? Was it someone’s name? Although it would be a really long name. Of course, it could just as easily be a recipe for a jar of marmalade! Jorie giggled. They probably didn’t have marmalade back in those days, and why would they put it under a picture of a flying dragon? No — that didn’t make sense.

Jorie studied her new wonderful find for most of the afternoon. After that, she lay back on her bed, her hands clasped under her head, and turned things over in her mind. She thought about the window; now that had been very, very strange! She was sure that Aunt Letty had no idea that the book existed, for had she known, she might have given it to a museum or a library for old stuff. If she had known about it, she wouldn’t have put it under old floorboards, covered with dust and cobwebs.

Jorie didn’t care much for spiders, but she had plucked up her courage and plunged her hands into that space, perhaps sensing that there was a treasure there.

She wondered what her new friend Rufus might think of it. Should she tell him? Could she trust him? Might he not tell grownups, who she believed would take it away immediately, never to be returned? She couldn’t take that chance.

She needed to give her new friend a chance; perhaps Rufus would keep it their secret, and maybe the two of them could put their heads together and find out a little more about this book. Jorie felt that this discovery of hers had more to do with the history of Dunham and its mysterious past than it had as a mere fairy story.

 Reviews

Jorie and the Magic Stones is the first book in a new chapter book series by A. H. Richardson. Children everywhere will love this adventurous fantasy of Jorie and Rufus, two orphans from very different walks of life, who meet by chance, find a mystic book with four magical Druidic words that provide the key to an astonishing adventure that will plunge them, quite (literally) into another world beneath the dark waters of the Tarn.

“Jorie and the Magic Stones is an enchanting tale of adventure and childhood friendship that captures the attention and imagination of children and adults alike.” - 5 Stars, Amazon Review

“If ever there was a children's book that was meant for children of all ages, this would be that book. From page 1, you instantly fall in love with the Jorie, the heroine. The storyline flows wonderfully. It makes you feel as if you're there with the characters feeling the excitement, fears, and joy that they feel as they go on an incredible adventure.” - 5 Stars, Matthew and Alicia Lucy

“I absolutely love this story! It just carried me away and I couldn't put the book down!! I loved all the different characters... The author did a wonderful job describing all of them and my imagination kept on going!” – 5 Stars, Amazon Review

About the Author:

A. H. Richardson was born in London England and is the daughter of famous pianist and composer Clive Richardson. She studied drama and acting at the London Academy of Music and Dramatic Art. She was an actress, a musician, a painter and sculptor, and now an Author.

She published her first book, Jorie and the Magic Stones, in December 2014, and has written a sequel to it titled Jorie and the Gold Key at the request of those who loved the first ‘Jorie’ story. She is currently working on the third book in the series.

She is also the author of Murder in Little Shendon, a thriller murder mystery which takes place in a quaint little village in England after World War Two, and introduces two sleuths, Sir Victor Hazlitt and his sidekick,  Beresford Brandon, a noted Shakespearian actor. She has more ‘who-dun-its’ planned for this clever and interesting duo… watch for them!

A. H. Richardson lives happily in East Tennessee, her adopted state, and has three sons, three grandchildren, and two pugs. She speaks four languages and loves to do voiceovers. She plans on writing many more books and hopes to delight her readers further with her British twist, which all her books have.

To learn more, go to https://ahrichardson.com/
 

Friday, December 2, 2016

Revision Vision

I love hearing from other writers about their writing process. Whether it’s brainstorming, outlining, drafting, or revising - I always find it so interesting to see the different ways that different people approach the daunting task of writing a novel.

Sometimes I’m horrified - you do WHAT?!

Sometimes I’m fascinated. Seriously? That works for you?

Sometimes I’m inspired. Sometimes hearing another writer’s brilliant approach to some aspect of the writing journey gives me ideas for how to improve my own process.

Either way, though, it’s always interesting. It’s reassuring to know that there’s no “right” way to do anyone of this. Or, rather, there are countless right ways to do it.

In that spirit, and for what it’s worth, I thought I’d share today a glimpse into my usual practice for one of the most important parts of the writing process: revision. I didn’t happen upon this topic by chance; at the moment, I’m waist-deep in a vigorous revision of a middle grade novel. My rough draft, as usual, was a total mess. But that’s okay. It’s supposed to be. All that matters is that the story is out, the mess is on the paper rather than in my head, and now I can roll up my sleeves and try to make something beautiful out of it.

It’s something we all do. It’s something we probably all do differently. And, it’ something that a lot of us might be diving into right now, right after good ‘ol NaNoWriMo finished up. So here you go. This is how I do it.

Dan’s Quick-and-Dirty Step-by-Step Revision Process
  1. Drafting Yeah. I think the revision process really starts when you’re spewing out your rough draft. It starts by not starting. When I draft, I do my best to throw my inner critic out the window. I don’t agonize over getting sentences, paragraphs, or even whole scenes “right.” Nope. That’s what revision is for. Why slave over crafting a sentence just right, when you might just end up cutting the whole thing later anyway? Sometimes, as I’m drafting, I get ideas for how fix earlier scenes, or ways to change them, or things I should go back and build in, or suddenly see plot holes that have opened up. But...I don’t want to stop my flow to address all those things. You could get lost in that wilderness forever and never get to the finish line. So, while I draft, I make a series of notes at the end of the document. Just ideas, reminders, notes to myself. Don’t get me wrong...I try to complete the very best rough draft I can. But the keyword in that sentence is “complete.” You gotta get it done before you can get it perfect.
  2. Walk Away For me, it’s essential to approach a novel for revision with a clear head and new eyes. So, once I write “The End” on a rough draft, I save it and close it and forget about it. Seriously. For at least a month. I don’t even think about it. That way, when I come back to revise it, it feels fresh. New, even. I can read it in a way that’s more like how an actual reader will read it. And that’s hugely important.
  3. Read-Through  My first real revision step is just to re-read the book. I don’t make a ton of changes. I’ll fix what I can, sure. Clean things up. Fix obvious holes, errors, train wrecks. But before I dive into cutting and slashing, I want to reacquaint myself with the story, and I want to get a feel for the big-picture, overall pacing, and structure. As I read, I make a summary of each chapter in a separate document. I record what happens, who we meet, how each chapter ends. I include the word count so I can take note of any egregiously long or short chapters. And I make notes on what works in each chapter, what falls flat, and how it can be improved.
  4. The Heavy Lifting Now comes the work. I’ve written and read and recorded the whole thing. It’s laid out before me like a cadaver. The sheet is off. Scalpel, please. I look at my drafting notes, I look at my read-through notes, and I dig in. Cut out the waste. Add in the gold. Clean up the transitions. Streamline the pace. Solidify the structure. Turn up the voice (or, sometimes, turn down the voice). Sometimes I make huge changes: cut this whole character! Wipe out the first three chapters! Completely change the ending! Whatever. I do whatever it takes to make the story true, and make the story work, and make the story sing.
  5. First Reader  At some point, I’ve done all I can to a book for awhile. I’m numb. I can’t even really see it anymore because it’s all I’ve been looking at. I need another “walk away” (see Step 2 above), but this time it’s going to be a dual-purpose walk away. Because while I’m NOT reading or thinking about this #*+$ing book that I probably hate by now, someone else will be. For me, my first reader is always my wife. This is an absolutely necessary, don’t-even-think-of-skipping-it step. Before you ever send anything out to an agent or editor, you have to get feedback from someone else. The pictures in my head are probably vivid and compelling and clear, but I’ve got the advantage of having that picture in my head...the words I’ve written may fall far short of what I was aiming at, and I may not be able to see it. Another reader will find flaws and weaknesses and plot holes that I never could myself. They can point out descriptions that don’t work, characters that aren’t likable, scenes that aren’t believable. They can also, by the way, tell me what’s working. They can point out the gold I might have lost sight of in all the tedious work I’ve been doing. They might just remind me why I fell in love with the story in the first place, long before I hated it.
  6. Feedback Injection Simple stuff here. I go through the book again, addressing the weaknesses and flaws that my first reader or readers pointed out. I don’t have to agree with everything they say, but I should listen to and consider everything they say.
  7. Repeat Steps 2-6 As Needed Yup. Sometimes a story’s shine stubbornly refuses to come out. You know there’s some prime meat there, but it might take quite a few passes to get through all the gristle and sinew. But you love your story, right? And you want it to be as good as it can possibly be, right? So we do the work. This step, for me, keeps going right up until the book goes to the printer. I can always see ways to make sentences, scenes and stories better (even after a book gets published, which is agonizing).

So, there you have it. My own seven step procedure for revising a novel. It’s probably similar in some ways to your own, probably different in some ways. I’d love to hear in the comments your own ideas, strategies and tips for revising. How do YOU transform your trash into transcendence?